Listing 1 - 10 of 45 | << page >> |
Sort by
|
Choose an application
Choose an application
Artist Tony Oursler has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience, and technology. This publication features up to 2,500 objects from Oursler's collection, including photographs, prints, historic manuscripts, rare books, letters, and objects. Additional topics include stage magic, thought photography, demonology, cryptozoology, optics, mesmerism, automatic writing, hypnotism, fairies, cults, the occult, color theory, and UFOs. Linking these wide-ranging materials is Oursler's underlying interest in belief systems and human nature; the suspension of disbelief, or perhaps just our propensity to believe. The material in Oursler's collection broadens recent explorations of technology and mystical cultural production, investigating the relationships between science, pseudo-science, religion, and the occult with visual and archival documents that demonstrate the power of images to carry and challenge our most cherished beliefs.
Oursler, Tony, --- kunst --- eenentwintigste eeuw --- Oursler Tony --- hekserij --- spiritisme --- vliegende schotels --- UFO's --- Mesmer Franz Anton --- 7.071 OURSLER --- archivering --- archieven --- Verenigde Staten --- twintigste eeuw --- magie --- Exhibitions --- Oursler, Tony, - 1957 --- -Oursler, Tony, - 1957-
Choose an application
While Oursler's position as a forerunner in video art is well established, his two-dimensional works have always been an essential part of his creative process. He describes his drawings and works on paper as a series of perceptions, scenes, delusions, and diagrams that are a free association of ideas and themes informing his work in video. A diary of his conceptualization process, Oursler uses drawing, painting, and collage as a means of remembering, associating, or layering thoughts. The studies, sketches, and panels explore the supernatural, methods of mass communication, the history and development of media technology, and their effect on the human psyche. This book offers a chronology of Oursler's two-dimensional work over the past ten years, showcasing his early paintings, painting on sculpture, painting with collage, and the combination of video with the painted panel.
Oursler, Tony --- kunst --- tekenkunst --- schilderkunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Oursler Tony --- video --- videokunst --- video-installaties --- projecties --- 7.071 OURSLER --- video [art discipline] --- multimediakunst --- video [discipline]
Choose an application
Iconography --- identity --- Beecroft, Vanessa --- Samore, Sam --- Wearing, Gillian --- Starr, Georgina --- Ahtila, Eija-Liisa --- Mik, Aernout --- Gordon, Douglas --- Doherty, Willie --- Oursler, Tony --- texts Adam Chodzko, Lynne Cooke, Jan Debbaut [et al.] --- kunst --- twintigste eeuw --- installaties --- identiteit --- lichamelijkheid --- Ahtila Eija-Liisa --- Beecroft Vanessa --- Doherty Willie --- Gordon Douglas --- Mik Aernout --- Oursler Tony --- Samore Sam --- Starr Georgina --- Wearing Gillian --- videokunst --- fotografie --- 7.038
Choose an application
Première anthologie exclusivement consacrée à l'artiste américain Tony Oursler, Vox Vernacular réunit écrits, monologues, dialogues, tests psychologiques et poésie burlesque kaléidoscopique sélectionnés sur plus de 35 ans de production de l'artiste multimédia. De ses premières vidéos et projections sculpturales à ses interventions publiques et autres cosmologies intérieures, cet ouvrage ambitieux propose une lecture graphique sans précédent d'une des œuvres poétiques les plus inventives de notre époque. Le langage versatile utilisé par l'artiste dans ses installations fantasmagoriques révèle au lecteur son obsession de la beauté, des télécommunications, de la maladie mentale, des systèmes de croyances et de l'ontologie. Publiée à l'occasion de l'exposition Phantasmagoria de Tony Oursler au Grand-Hornu en 2013, cette anthologie richement illustrée et commentée est le fruit d'une collaboration étroite avec l'artiste, qui a souhaité choisir personnellement les transcriptions de ses œuvres multimédias réalisées entre 1977 et 2013.
texts [document genres] --- heads [representations] --- installations [visual works] --- public spaces --- projections [visual works] --- video recordings --- Art --- video monitors --- Oursler, Tony --- Installations (Art) --- History --- Exhibitions --- Histoire --- Expositions --- Exhibitions. --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Oursler Tony --- installaties --- video --- videokunst --- video-installaties --- 7.071 OURSLER --- texts [documents] --- Art, American --- Video art --- video recordings [physical artifacts]
Choose an application
Comedy films --- Horror films --- Silent films --- Grotesque --- Satire --- direction d'ourage Philippe-Alain Michaud, Isabelle Ribadeau Dumas --- film --- slapstick --- twintigste eeuw --- humor --- horror --- Nauman Bruce --- Semon larry --- Laurel Stan --- Hardy Oliver --- Smith Jack --- McCarthy Paul --- Oursler Tony --- Kelley Mike --- Sennett Mack --- 791.41 --- 791.43
Choose an application
Bleckner, Ross ; Cemin, Saint Clair ; Ebner, Tim ; Finley, Karen ; Gober, Robert ; Halley, Peter ; Hatch, Connie ; Hsu, Tishan ; De Jong, Constance ; Kelley, Mike ; Koons, Jeff ; Labat, Tony ; Lemieux, Annette ; Oursler, Tony ; Prina, Stephen ; Prince, Richard ; Rollins, Tim & K.O.S. ; Simpson, Lorna ; Starn, Doug & Mike ; Steinbach, Haim ; Taaffe, Philip ; Vaisman, Meyer ; Webster, Meg ; Welling, James ; Wool, Christopher
History --- Art --- art history --- art [fine art] --- Starn Twins --- Halley, Peter --- Gober, Robert --- Cemin, Saint Clair --- Kelley, Mike --- Bleckner, Ross --- Steinbach, Haim --- Hsu, Tishan --- Simpson, Lorna --- Taaffe, Philip --- Prina, Stephen --- Prince, Richard --- Finley, Karen --- De Jong, Constance --- Webster, Meg --- Vaisman, Meyer --- Hatch, Connie --- Lemieux, Annette --- Wool, Christopher --- Oursler, Tony --- Labat, Tony --- Ebner, Tim --- Welling, James --- McGough, Peter --- Rollins, Tim --- Koons, Jeff --- McDermott, David --- anno 1900-1999 --- anno 1980-1989 --- United States --- Art, American --- Art américain --- Exhibitions. --- Expositions --- jaren 80 --- Amerika --- Duitsland --- Art, Modern --- Kunst --- twintigste eeuw --- Verenigde Staten --- Bleckner Ross --- Cemin Saint Clair --- DeJong Constance --- Ebner Tim --- Finley Karen --- Gober Robert --- Halley Peter --- Hatch Connie --- Hsu Tishan --- Kelley Mike --- Koons Jeff --- Labat Tony --- Lemieux Annette --- McDermott David --- McGough Peter --- Oursler Tony --- Prina Stephen --- Prince Richard --- Tollins Tim --- Simpson Lorna --- Starn Doug --- Starn Mike --- Steinbach Haim --- Taaffe Philip --- Vaisman Meyer --- Webster Meg --- Welling James --- Wool Christopher --- 7.038 --- Art américain --- Jong, de, Constance --- art [discipline] --- United States of America
Choose an application
film [performing arts] --- visual culture --- Conrad, Tony --- Avant-garde (Aesthetics) --- Avant-garde (Music) --- Postmodernism --- 7.038 --- 7.071 CONRAD --- Cardew Cornelius --- Conrad Tony --- experimentele film --- film --- Flynt Henry --- Grant Beverly --- Kelley Mike --- kunst --- kunsttheorie --- Maciunas George --- Morris Robert --- muziek --- Oursler Tony --- Palestine Charlemagne --- Sherman Cindy --- sixties --- Smith Jack --- twintigste eeuw --- Verenigde Staten --- Young La Monte --- Experimental music --- Musical avant-garde --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- History --- Conrad, Anthony Schmaltz --- Criticism and interpretation. --- film [discipline] --- cultuurgeschiedenis --- cultuursociologie
Choose an application
Accidents in art --- Accidents --- Arts, Modern --- Disasters in art --- Psychological aspects. --- Rampen in de kunst --- Cultuurfilosofie --- 130.2 --- 7.01 --- 7.038 --- Aleksievich Svetlana --- Angerame Dominic --- Bhopal --- catastrofes --- Cinq colonnes à la une --- Cohen Jem --- Conner Bruce --- globalisering --- Guo-Qiang Cai --- Hutton Peter --- kunst --- Mekas Jonas --- Mik Aernout --- Museum of Accidents --- Oursler Tony --- Paul Virilio --- Peleshian Artavazd --- rampen --- Rubins Nancy --- Staehle Wolfgang --- terrorisme --- Tierney Moïra --- Toulouse --- Tsjernobyl --- Ujica Andrei --- Vitiello Stephen --- Woods Lebbeus --- Modern arts --- Accident proneness --- Psychological aspects
Choose an application
psychiatry --- anatomy --- Iconography --- psychology --- Dowson, Katharine --- Lang, Gerhard --- Quinn, Marc --- Viola, Bill --- B., Beth --- Oursler, Tony --- Borland, Christine --- Isaacs, John --- Leonardo da Vinci --- Anatomy, Artistic --- Human anatomy --- Human figure in art --- Medicine and art --- Thema's in de kunst ; het menselijk lichaam ; gezichten --- Kunst en anatomie --- Kunst en wetenschap ; het lichaam --- Kunst en psychiatrie ; fysionomie van het gezicht --- Kunst en psychologie --- Beth B --- Tentoonstellingscatalogi ; Londen ; Hayward Gallery --- 7.041 --- (069) --- Iconografie ; de mens, portretten --- (Musea. Collecties) --- Art and medicine --- Art --- Art and science --- Medical illustration --- Anatomy, Human --- Anatomy --- Human biology --- Medical sciences --- Human body --- lichaam (van de mens)
Listing 1 - 10 of 45 | << page >> |
Sort by
|